Patrick E. NAGGAR (born 1946) - Lot 126

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Lot n° 126
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100 - 150 EUR
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Patrick E. NAGGAR (born 1946) - Lot 126
Patrick E. NAGGAR (born 1946) Patinated steel mirror, 1987 Traces on the mirror Height: 89 cm, Width: 39 cm. A mirror, by Patrick E. Naggar. Patrick Naggar is a French architect and designer whose work lies at the crossroads of architecture, object design and scenography. His work is characterized by a refined use of raw materials, great attention to the composition of space and an often theatrical approach. and an often theatrical approach to staging. His work has been presented at numerous international exhibitions, where he develops a reflection on the relationship between object, space and perception. It is in this context that he collaborates with his close circle. For the Naila gallery in Montbrison, Patrick Naggar and Dominique Lachevsky designed a theatrical scenography praised in Progressive Architecture (September 1989, article Modern Theater). They use raw materials such as glass, medium, bronze and lead to showcase the jewels. Wall-mounted and recessed showcases, with sliding panels and pivoting mirrors, are conceived as small stages, while the window on the street, adorned with a bronze rod and velvet curtain, evokes a theatrical scene. Patrick Naggar is a French architect and designer whose work lies at the intersection of architecture, object design, and scenography. He is known for his refined use of raw materials, careful attention to spatial composition, and often theatrical approach to staging. His work has been presented in numerous international exhibitions, where he explores the relationship between object, space, and perception. It is in this context that he collaborates closely with his personal network. For Naila de Montbrison's gallery, Patrick Naggar and Dominique Lachevsky designed a theatrical scenography, praised in Progressive Architecture (September 1989, Modern Theater). They used raw materials glass, medium density fiberboard, bronze, and lead to highlight the jewelry. The display cases, either wall mounted or built into niches, with sliding panels and a pivoting mirror, were conceived as small stages, while the street-facing showcase, adorned with a bronze rod and velvet curtain, evokes a theatrical scene.
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