CODOGNATO - Lot 47

Lot 47
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Estimation :
2000 - 3000 EUR
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CODOGNATO - Lot 47
CODOGNATO Gold and silver diamond ring, by Codognato In 18K (750) gold and 800 silver, featuring a vanitas represented by a skull, the eyes set with rose-cut diamonds and surmounted by a small silver mouse, signed A. Codognato, TDD: 48.5, gross weight: 13 grs A diamond, silver and 18K gold ring, by Codognato Bibliography: Codognato, Beauvais Marie Odile Codognato, rooted in a long tradition of Venetian jewelers, has been making jewelry history since it was founded in 1866. Its heritage spans several generations, from Simone Codognato to Attilio Codognato, through a line of designers with a passion for archaeology and ancient art. Inspired by Etruscan excavations and archaeological discoveries, the company's creations are characterized by a unique aesthetic, blending mortuary symbols, mysticism and a contemporary interpretation of memento mori. The skulls, emblematic pieces of the house, are an ironic reminder of the ephemeral condition of life, in keeping with the philosophical "all is vanity". Codognato's fascination with skulls and other morbid symbols spans the ages, drawing inspiration from references as varied as the Italian Renaissance and Gothic imagery. The Codognato house, rooted in a long tradition of Venetian jewelers, has marked the history of jewellery since its foundation in 1866. His legacy spans several generations, from Simone Codognato to Attilio Codognato, and a lineage of creators passionate about archaeology and ancient art. Inspired by the Etruscan excavations and archaeological discoveries of their time, the creations of the house are characterized by a unique aesthetic, mixing mortuary symbols, mysticism and a contemporary interpretation of memento mori. The skulls, emblematic pieces of the house, recall with irony the ephemeral condition of life, inscribed in the philosophical lineage of "everything is vanity". Codognato's fascination with skulls and other morbid symbols crosses the ages, drawing inspiration from references as varied as the Italian Renaissance or Gothic imagery.
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