Frank GEHRY (born 1929) - Lot 120

Lot 120
Go to lot
Estimation :
1800 - 2200 EUR
Register for the sale on drouot.com
Frank GEHRY (born 1929) - Lot 120
Frank GEHRY (born 1929) Armchair and ottoman, Beaver model, created in 1980 In honeycombed cardboard Vitra edition 1987, publisher's plate signed under the base of the armchair Numbered edition, plate numbered 41/100 Dimensions: Armchair: 75 × 85 × 110 cm Ottoman: 45 × 50 × 57 cm A 'Little Beaver' armchair and ottoman, by Frank Gehry Bibliography and references: Similar model reproduced and referenced in : - Similar model in the collections of SFMOMA, San Francisco - Atlas of Furniture Design, Vitra Design Museum, 2019, p. 712 and 713 - Anne Bony, Meubles et décors des années 80, Editions du Regards, Paris, 2010, p. 143 FR In the 1970s and 1980s, architect Frank Gehry explored the medium of cardboard. Encouraged by Vitra, which invited architects and designers to explore new technologies without constraints, he developed iconic furniture from laminated layers of corrugated cardboard, exploiting the possibilities of this material as he would an architectural model. The Wiggle Chair and Beaver Chair are perfect examples of this innovative approach. The Wiggle Chair seduces with its fluid, sinuous curves, offering a bold, sculptural aesthetic. Conversely, the Beaver Chair, produced in a limited edition of 100 in 1987, is distinguished by its more widely spaced channels, giving an "upholstered" effect. These pieces testify to Gehry's ingenuity and ability to transform ordinary materials into functional works of art. UK Architect Frank Gehry explored the medium of cardboard in the 1970s and 1980s. Encouraged by Vitra, which invited architects and designers to explore new technologies without constraints, he developed iconic furniture pieces from laminated layers of corrugated cardboard, utilizing the possibilities of this material as he would for an architectural model. The Wiggle Chair and Beaver Chair perfectly illustrate this innovative approach. The Wiggle Chair captivates with its fluid, sinuous curves, offering a bold sculptural aesthetic. In contrast, the Beaver Chair, produced in a limited edition of 100 pieces in 1987, stands out with its wider channels, creating a "cushioned" effect. These pieces showcase Gehry's ingenuity and his ability to transform an ordinary material into functional works of art.
My orders
Sale information
Sales conditions
Return to catalogue